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by Sarah Ruhl
Two lovers living in an idyllic, serene, clean Overworld—almost too pristine. And an Underworld like a junkyard, crammed with the hoarded detritus of human civilization.
In these drawings rendered in charcoal and pastel, mediums of ash and earth, I toy with concepts of anachronism, kitsch, surrealism, and menace. This world operates in a dream state never quite logical nor fixed in place, much like the turbulence of grief itself.